Nathan Fielder's 174-minute documentary "You Can See Everything" is a hybrid reality-TV/psychodrama that follows Elizabeth Holmes in the weeks before her prison sentence, probing her steadfast denial and uncanny personality through Fielder's deadpan, inquisitive interviewing. The film interrogates how Holmes sold the mythical Theranos technology, explores her self-delusion and indifference to harm, and layers meta-commentary about storytelling and culpability.